Valentine’s Day spending is up 6% this year over last even though fewer people are celebrating. Sad!
Poems, of course, are the perfect antidote to the menace of all-consuming consumerism slouching towards Bethlehem. Poems cost nothing to give and last forever. Here’s a few to share with your lover, your mother, your friend or even a stranger, why not?
I’ll begin with a poem for mothers, Christina Rossetti’s “Sonnets are full of love, and this my tome” which I left near a mailbox.
Would that I had use for that mailbox. Would that I still had a mother to send a Valentine’s card to. No stamp, no hugs, no kisses, just an ache to remember her, my first Love, as Rossetti calls her mother, my loadstar while I come and go. Still, this description of a mother’s love is a comfort—
whose blessed glow transcends the laws
Of time and change and mortal life and death.
Fortunately most of my friends are still living and for them I left 19th-century novelist and poet Dinah Maria Craik’s “Friendship.” I taped it to a fencepost enclosing two horses companionably eating grass.
Craik uses the image of sifting grain to capture the ease of conversing with a true friend—
Having neither to weigh thoughts,
Nor measure words—but pouring them
All right out—just as they are—
On to the lover’s portion of this post. I put Catherine Doty’s “Yes” on a bench overlooking the ever-romantic Hanalei Bay, just after a heavy downpour.
Another kind of downpour is happening in the poem. Blood and nerves and joints and various body parts are overrun with desire. Come/here indeed.
For those without a beloved this Valentine’s Day, poet Paul Laurence Dunbar has you covered with his hopeful “Invitation to Love.” I taped it to a fence on favorite overlook of mine. Waves crash against the cliffs in high spray and red-footed boobies cover the hills like flowers. The lighthouse in the distance works with the poem to create a beacon of hope to those at sea in the world. Yeah, I really like this spot.
Dunbar is ready for love anytime, anywhere:
Come when the summer gleams and glows
Come with the winter’s drifting snows,
And you are welcome, welcome.
“After Making Love We Hear Footsteps” might strike you as unromantic, but in poet Galway Kinnell’s hands it becomes most tender and even sensual. I left it on a stop sign, which is probably about as effective in keeping out trespassers as Kinnell’s closed door is at stopping his son from barging in his bedroom.
Most parents face this scenario—a kid plopping down between his startled and possibly interrupted parents—but it takes a poet to elevate the interruption into a homecoming of sorts—
this one whom habit of memory propels to the ground of his making,
sleeper only the mortal sounds can sing awake,
this blessing love gives again into our arms.
I’ve got two poems for lost love. The first, David Ignatow’s “That’s the Sum of It,” I left in a junkyard.
poem is on white dishwasher with black top
The loss of his wife and car have put the speaker in a catch-22 situation. The speaker’s tone is light but the ache is always present, like here, when he wishes to visit his children
when they
are not too busy.
The second poem of lost love takes its sweet time getting to the heart of it, touring through Rome and taking in the sights. I left Charlie Smith’s “Crostatas” at a scenic overlook of mountains and taro fields.
poem is on. drone sign
He’s one depressed tourist—
flowers like eyeballs dabbed in blood and the big ruins
said do it my way pal
—and the reason becomes clear only in the last lines.
Finally, a Valentine anyone can enjoy, a love poem to the universe. “Dusting,” by Marilyn Nelson, begins with a thank you (in my reading, to the Creator, but take it as you will) and spills over with wonder and joy for life itself, for dust. I left it on a beach a few feet from the ocean where it all begins.
Somehow the scientific language makes the poetic sensibility all the more ecstatic—
For algae spores
and fungus spores
bonded by vital
mutual genetic cooperation
May we all be bonded in mutual genetic cooperation!
Happy Valentine’s Day, everyone!
The best place for Christina Rossetti’s poem “Mirage” would be in the opening credits of Inception II. That is, if you’re in the camp that believes Leonardo DiCaprio’s character was still dreaming at the end of the original movie.
Christina Rossetti (1830- 1894) was born in London to an Italian family of high Romantic pedigree. Her father was a poet, her mother the sister of Byron’s friend and doctor, her brother Dante an artist and poet, and her two other siblings writers. She was a central player in the Pre-Raphaelite Brotherhood, serving as the model for several paintings and was certainly the strongest poet in the group. She lived with her mother her whole life and never married although she had plenty of suitors. As a very pious Anglican, Rossetti ended one engagement because her fiancé re-converted to Catholicism. She turned down two others for religious reasons. She died of breast cancer a few weeks after her 64th birthday.