Archive for the ‘Michael Heffernan’ Category

poem is on pillar at the bottom of the staircase


Town Water


by Michael Heffernan



There always ought to be a willingness

to receive the roadside’s offering of flowers


to be brought home and put in fruit-juice glasses

on the windowsill above the kitchen sink


so we can stand there and admire alien beauty

the like of which we imagine in a small way


while looking for a speck in a child’s eye

and noticing suddenly that ring of celestial blue.


I hope I used the correct graduation year


I knew just where to put a poem by Detroit native Michael Heffernan:  the entrance to University of Detroit Jesuit High School.  Heffernan attended U of D, just south of the infamous 8 Mile, an all-boy, racially-diverse Catholic institution and the oldest functioning school in Detroit.  There he wrote his first poem.  The poem grew out of homework assigned as punishment after one member of the class left a jock strap on the teacher’s chair.  Heffernan remembers only the beginning of the poem he wrote about the Maine coast—


The rock, untouched by human hands,

Away from all the other stands


but credits the wise punishment with opening his eyes to a career he had never before considered.


I had another reason for bringing Heffernan’s work back to his alma mater.  The school website doesn’t list him among its notable graduates.  That list is headlined by detective novelist Elmore Leonard and rounded out by the head of Google AdWorks and two NFL players.  I respectfully suggest that the winner the Porter Prize for Literary Excellence, two Pushcart prizes, three fellowships from the NEA, and the Iowa Poetry Prize, not to mention the writer of nine books of poetry, should be given his props.


Location fore-ordained, the question was, which poem from those nine books to use?  When a hometown boy makes good, you don’t want him showing up for the parade in a bathrobe.  I wanted to bring the best of Heffernan, but I also wanted him to be read by the students and teachers who passed by on their way home.  I needed a short poem, straightforward, with lots of white space—none of which characteristics are typical of a Heffernan poem.


Fortunately “Town Water” fits the bill, and even better, carries echoes which might be familiar to U of D students. The first line


There always ought to be a willingness

to receive the roadside’s offering of flowers


recalls the opening to William Carlos Williams’ “Red Wheelbarrow” (a poem which also has four two-line stanzas):


So much depends



a red wheel



Both declarations juxtapose grand pronouncements with the commonplace.


Everyone reads “The Red Wheelbarrow” in high school and most everyone thought it silly at the time—who cares about the dang wheelbarrow, says the teenager, most likely in saltier terms.  But more than a few people still remember, years later, that startling image of the white chickens standing next to a rain-glazed wheelbarrow.  So with “Town Water.”  Heffernan’s picture of flowers in a fruit juice glass on the windowsill above the kitchen sink shares the precision and delicacy of William’s imagery.


At the end of the poem comes another echo these U of D students might recognize, from the gospel of Matthew:


How can you say to your brother, ‘Let me take the speck out of your eye,’ when all the time there is a plank in your own eye?


Heffernan’s poem turns that image on its head. The adult looking for a speck in the child’s eye is not, as in Matthew, overwhelmed by his own faults.  He’s overwhelmed by unexpected beauty.  The celestial blue of the child’s iris is a small beauty but startling, just like the alien beauty of the roadside flowers.  Both beauties are small replicas of a larger, unnamed beauty that we can’t fully imagine.  If ever we have hope of seeing such beauty, openness and willingness to see are required.  It’s what Wordsworth is talking about when he writes,


Come forth, and bring with you a heart     

That watches and receives.


Seasonally this poem may be inappropriate for a wintry Detroit landscape, but thematically it’s just right for a building that houses teenage boys.  The halls of U of D funnel boys through an awkward growth as they muscle their way to manhood.  Here they make mistakes, act inappropriately, stupidly sometimes and rude, but suffer silently too, and in dark moments wish they were home.  No less often they act kindly, show brilliance, make adults laugh.  It’s all there.  You just have to see the weeds as “roadside flowers” and be willing to put them in a vase as if they were roses.


My teenage son used to block me when I was rushing around the kitchen and give me a bear hug.  I’d try to cut it short but he’d hold on tight and say, half-teasingly, “Settle down there, Mother.  Someday this is all going to be gone and you’ll wish you had it back.”  How right he was, that far-sighted boy, now gone off to college.  What was I rushing for?  To put the rice in the pot?  To turn off the tea kettle?  Answer the phone?  Check my email?


And there was my gangly flower in the juice jar, saying, notice my alien beauty.


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A few weeks ago blogger Megan Shaffer of Night Light Revue asked me to review Michigan poet Michael Heffernan’s new poetry collection At the Bureau of Divine Music.  You can read my review here.


(A word about Night Light Revue:  if you’re looking for summer reading material, Shaffer always has excellent suggestions.  She’s also a passionate promoter of Michigan writers and the local literary community.)


I’m grateful for the review assignment because I loved the book and probably would never have found it on my own.  Or stuck with it.  While the book houses plenty of poems that can be digested on a first reading and some mighty entertaining monologues that read like short stories, some of the poems were difficult.  And because I was tasked with reviewing the whole book and not just the “easy” poems, I had to read what I usually would skip over.  Slacker that I am, I’m drawn to poems that don’t initially require much effort, and some of Heffernan’s poems required not just effort, but commitment.  But the payoff, as with any long-term relationship, was huge.


Reading poetry, I’ve found over this past year of blogging, is a completely different reading experience than we get in school or on the beach.  Whereas a book of prose is read from beginning to end (or if you’re a cheat like me, beginning to end back to middle) and then shelved or returned to the library, books of poetry offer freedom from linear structure but demand more of your time.  You dip in at any point, you read, you don’t understand. You try a different poem.  You like it but you still don’t get it.  You re-read dozens of times.  You think about it while you’re walking the dog and fall asleep with a line in your head.  What does it mean?  Why does it affect me like this?  Why can’t I just end the relationship and forget about it?  Reading poetry requires an imaginative leap and a commitment of time we aren’t accustomed to with our steady diet of Janet Evanovich and girls with dragon tattoos and other distinguishing features.


Just to give you a taste of Heffernan’s work, I’ll post the last poem in At the Bureau of Divine Music.  It’s a sonnet that I kept thinking about weeks after I read it, experiencing as I do many unnecessary anxieties about my health:



by Michael Heffernan


I lay down in my bed and went to sleep

but only after worrying that the pain

that came up in my chest, seemingly deep

inside it where my heart was, was a plain

signal that I might not survive the night

and could be lying cold beside my wife

when she got up, as she does, with the light,

to start another day in her own life,

while mine was over, unbeknown to us,

including me.  As I was worrying,

I went to sleep and woke up in four hours

to use the bathroom.  Birds had begun to sing.

Two dogs were barking.  Nothing perilous

had come to find us.  What was ours was ours.


What was ours was ours is my new anti-anxiety mantra.


On a side note, why not buy a book of poetry?  Poetry makes a beautiful, thoughtful gift and looks impressive in guest bathrooms.  The covers are usually arresting and artistic, and visitors will flush your toilet musing over what an interesting person you are and marveling over your previously unknown complicated interior life.


And so I hereby proclaim the next few days National It’s High Time to Buy a Book of Poetry Couple of Days.  And remember, as Night Light Revue blogger Megan Shaffer always says, Support your local bookstores, libraries and universities.  It matters!


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